State Bank India Power Attorney

THEORETICAL STUDY FILM WORKSHOP


1. Organizers: FOUNDATION COPAIPA

2. Project Manager: Alejandro RICE - WORKSHOP CINE

3. Place of issued class: Projection Hall COPAIPA in Guemes 529.

4. Objective: To provide basic knowledge of filmmaking.

5. Goals: To make a short film as a practical work using Professional Equipment High Definition Video (HDV). Which can then be shown in different exhibitions and festivals.

6. Description of Project: THEORETICAL STUDY FILM WORKSHOP provide the basic tools of audiovisual universe, from lectures, giant screen projections of the major works of world cinema and intensive practice. As
final work will take place on shooting a short film with professional equipment necessary to realize full technical different stages of the project and accompanied by recognized professionals.

7. Rationale: The PRACTICAL THEORETICAL FILM WORKSHOP is a tool that will allow the development of artistic activity in a general audience with no previous film knowledge. It will contribute to the democratization of visual knowledge, the creation of new viewers and supporters of the emerging critical Audiovisual Area of \u200b\u200bthe province and will enable the possible participation of workers in different national shooting and international reach Salta, more and more frequently, generating a creative space with local artists, who otherwise have no access to national film industry.

8. Business Plan: Development of theoretical and practical sessions covering the modules described in the program.

9. Schedule: Workshop
Total hours: 69 hours
Workshop Start Date: Saturday June 5, 2010
Workshop End Date: Saturday July 31, 2010

10.

Program Introduction to Language Audiovisual

Brief history of cinema and television. The Pioneers. The development of the audiovisual language. Fundamentals. Planes. Lenses. Camera movements.
The plane, their depth of field significance. Means of expression. The frame. Rules. Color.


Production Production Design. Breakdown of production. Stages of production. Address


The role of the director. Management Team. The cast and crew. Functions. The actor. Breakdown of Directors. Continuity. Assistant director.


Chamber Basic techniques. Accessories. Celluloid tape and other media. Formats and standards. The law of the shaft. Jump axis. Axis complex problems. Continuity.

Photography
light sources. The measurement of light. Different styles. Basic lighting scheme. The natural and artificial light. Sound


The importance of sound. Types of microphones. Indoor and outdoor location. The armed bands. Music and copyright. Mounting


The pace of the narrative. Rudiments. Basic rules. Screenplay


information sources. Exhibition place and time. Adaptation. The dramatic construction. From concept to final form. Analysis.

11. Cost: Registered

COPAIPA: $ 450 - COPAIPA Payments: $ 250 upon enrollment and $ 200 before July 5
No Tuition: $ 650 - Payments COPAIPA: $ 350 upon enrollment and $ 300 before July 5

Includes:

- Training for two months with a staff of six teachers: ALEXANDER RICE, ANDREA GUAYMAS LESCANO; NORBERTO "BLACK" RAMIREZ, ANDREA RICO, CAROLINA BELTRAN AND MARIANO ROSA.
- theoretical and audiovisual material
- Technical equipment for the practice
- Advice on literature
- Notes
- CD Copies payroll budgets, shooting, production, costumes, etc.
- A DVD with samples of embodiments of the Universal Film History
- Short Film DVD Copy Practice held in shootings

For more information go to:

http://www.fundacioncopaip a.org.ar /
http://cineclubdelosmierco them. blogspot.com /
http://www.alejandroarroz. com /


or contact:

fundacion@copaipa.org.ar - Phone 421-4007 - 206 Internal

info@alejandroarroz.com mati2324@hotmail.com